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Nortune - Sweet G and Jesu Too

Nortune - Sweet G and Jesu Too is now available on CD direct from Nortunes. Although it seems like forever since I first came up with the concept, the wait has been worth it. Several of the songs are new arrangements but a few have been around for years and I have had many requests to include them on a CD. All of the songs are played in "open G" (A pattern tuning) except for the arrangement of "Recuerdos de la Alhambra de la Nortune" which is in "open G minor" (Am pattern). 

I would like to give a special credit and thank you to J. Dwain Shaw (www.borrowed.images.com) for the beautiful photography used throughout the CD design.

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Sweet G and Jesu Too CD

Click here for song list and more detail liner notes. 

Click here for purchase info.


Copyright notice. All material on this site are protected by copyright law and by international treaties. You may download this material  for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by Nortunes/Norton Wade. Norton Wade is not affiliated with any of the Graves Mountain organizations, although he does recommend you go there.

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Song List 

All arrangements by Nortune and in "Open G (A pattern)" tuning except "Recuerdos" in "Open G minor (Am pattern)".

All songs were recorded direct to my mastering software (Wavelab version 4.0). The signal process begins with a Lo Prinzi LR-50 guitar containing a Fishman Rare Earth dual humbucking pickup going into a Digitech 2120 with stereo output direct to Yamaha AX-44 / DSP Factory combination computer sound card (whew).  At the same time a Shure SM-85 condenser mic into a RANE FMI 14 to the AX-44 provided the acoustical ambience.   Most of the tweaking was done up front.

Here's a plug for technology. The "Wavelab" software is amazing. It has opened the door for me doing some things that I would have never been able to do. One of the most remarkable things is that you can actually talk by way of a W.W.W. forum to the main technical person responsible for its development.  From the recording process side I would like to give a special big kudos to Phillippe Goutier (PG on the forum).  His efforts have been an important cog in my wheel.


1. When You Wish Upon A Star - (Leigh Harline)  When I heard Chet Atkins do this song, I wished upon a star that one day I would be able to play my own version. Doing it like Chet is impossible for most mortals so I basically started from scratch. The similarities of the intro and the moving bass line can be attributed to my loving Chet's version so much. When Chet passed, the world lost and God received an incredible musician.


2. Georgia On My Mind - (Hoagy Carmichael)  Being from Georgia, I had originally intended for this one to be the centerpiece of the CD. When it was all said and done I think track one sets up the collection  best but followed by Georgia the entire sentimental perspective is revealed. I recently was able to hear Ray Charles do it live. That's the standard and in my arrangement I tried to pick up some of his "soul".  The middle high section was more difficult  for me  on my non-cutaway. I have a lot of guitar influences and believe it or not the "double octave" ending was inspired from my early days of listening to Wes Montgomery. 


3. American Trilogy - Adapted from the Mickey Newbury classic (Dixie - Dan Emmett / Battle Hymn - William Steffe / All My Trials - Traditional)  Here's one that I've been doing forever. It'll be a classic. It has always been well received when I perform for friends and in public.  The arrangement is pretty much like I have done it for twenty years. Again this is a heritage song which excites all kinds of Americana passions in my heart.


4. Recuerdos de la Alhambra de la Nortune (Fransico Tarrega) This is actually a classical piece done using a technique called "tremelo picking". When I first heard Pepe Romero do this, I thought it had been overdubbed with two guitars. My special "sticht" is that I developed my arrangement in "open A minor" tuning. That plus the fact that it does not contain the exactness of the original classical piece is why I put the "de la Nortune" on the title.  I've worked on the technique for years and it has taken me a long time with my metal finger picks to play with the subtleties of the required dynamics and range. The thumb is playing arpeggios while the "A,M, I" fingers are playing a very fast rolling melody.

 
5. Both Sides Medley:
(Both Sides Now - Joni Mitchell / Moonshadow - Cat Stevens / Minuet for the Backroads - Gove Scrivenor)  Believe it or not I was doing this one prior to my hearing the Randy Scruggs version on the "Will the Circle Be Unbroken" album. I've been doing it forever. This song also accentuates the ease of the open tuning to be able to "medley" several songs together. I have played weddings and dinner shows where I begin with one song and move through many others without stopping just as the "spirit moves me". Including the Gove piece allows me to give credit to one of my main guitarist influences. Years ago, I had originally seen Gove Scrivenor perform and in the process he was switching guitars. I finally got the nerve to ask him why and he told me he was playing in different tunings with each of the guitars. So he is one of my major influences since he started my whole quest for open tunings.

 
6. Londonderry Air (O Danny Boy) (Attributed to Rory Dall O'Cahan) This one is a relatively new piece for me. I just happened to try it one day and  it kind of just fell off the strings. I did put some work on the middle higher part. I held back from calling it "London Derriere".

  
7. Jesu, Joy Of Man's Desiring (Johann Schop - originally arranged by Johann Sebastian Bach) I've been doing the standard tuning version of this one for a long time but one day I got the thought that what better song should be done in "Open G" tuning than the historical renown song "Jesu".  It ain't that easy in the open tuning although the inherent resonance is a benefit worth the effort.  I was amazed to find out that it was actually written by Schop and we've given credit to Bach for his arrangement. There's a little piece of Gove in this one also. He does it with an autoharp but uses his finger picks to make kind of a rhythmic chordal rendition. In a later section in my arrangement, I basically tried to do the same with the guitar.

Selections From The Land Of Oz:  This section I have to attribute entirely to my good buddy and probably most major finger picking influence Henry Wynn who is a local from North Augusta, South Carolina. He's both an artist ("Nortune Fried Picking" cover ) and an outstanding finger picker. He plays upside down left handed but he has a natural gift that can't be learned. He was the first person I heard doing the metal finger picks. I think he's given them up now to finger nails like the rest of the world but I still use 'em. Henry recently told a friend about me: "I taught him everything he knows". In a way that may be true since after I heard him play that first time I realized that what I knew meant nothing. It's how you sound that counts. In any case I heard Henry do a song from "Oz" live at the mall several years ago and I went home and began my own quest for Oz. Again, a big thanks for the inspiration Henry. 


8. We're Off To See The Wizard (Harold Arlen) This is the shortest song on the CD. I can play longer versions but it basically becomes redundant. The thing is of course you gotta start at the beginning of the "Yellow Brick Road".

 
9. If I Only Had A Brain (Harold Arlen) I tried to capture both the "whimsy" and the "love" in the scarecrow. This is one of my favorites to play and I had to create some new chord voicings in the open tuning to be able to play it.


10. Optimistic Voices (Harold Arlen) This is one that's pretty simple and redundant so I had to add some variations and flourishes. In terms of musical analysis this song utilizes a simple motif (short repetitive musical phrase) but has some nice underlying chord changes. 


11. Merry Ole Land Of Oz (Harold Arlen) This is the most fun piece to play. I can literally go on forever with variations.  My thought during this song is just "happy". Late on Sunday afternoons when I'm just picking for myself (I work at the guitar each day in the early morning hours) I like to just crank this one up and see where it leads me. It would be nice to have captured some of those days at ease since I'm at my best when I ain't recording.


12. Somewhere Over The Rainbow (Harold Arlen) This was the perfect ending for the OZ set as well as the CD. 'Nuff said.

 I would also like to dedicate this effort to some of my guitar students who have tried the finger picking and open tunings. There are many of them but John Caldwell, Wil McCranie, Jordan Miller, Doug Barrett come immediately to mind. Hopefully others will be added to this list upon hearing "Sweet G".

Purchase Sweet G and Jesu too CD

The CD is currently available directly from Nortunes:

CD's may be purchased at the studio or in person for $15.00 each (students of guitar $10).

CD's may be purchased by mail for an additional $2.00 shipping and handling shipped upon receipt.

Make check payable to Norton Wade.

Nortunes Studio
4131 Saddle Horn Drive
Evans, GA 30809
706 855-0129